6 results
The Collector of Lives: Giorgio Vasari and the Invention of Art. Ingrid Rowland and Noah Charney. New York: W. W. Norton, 2017. xii + 420 pp. $29.95.
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- Journal:
- Renaissance Quarterly / Volume 72 / Issue 2 / Summer 2019
- Published online by Cambridge University Press:
- 05 June 2019, pp. 613-614
- Print publication:
- Summer 2019
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Painting as Medicine in Early Modern Rome: Giulio Mancini and the Efficacy of Art. Frances Gage. University Park: Pennsylvania State University Press, 2016. xvi + 228 pp. $89.95.
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- Journal:
- Renaissance Quarterly / Volume 71 / Issue 3 / Fall 2018
- Published online by Cambridge University Press:
- 20 November 2018, pp. 1062-1063
- Print publication:
- Fall 2018
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Livio Pestilli. Paolo de Matteis: Neapolitan Painting and Cultural History in Baroque Europe. Farnham: Ashgate Publishing Limited, 2013. xix + 404 pp. + 39 color pls. $124.95. ISBN: 978-1-4094-4620-0.
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- Journal:
- Renaissance Quarterly / Volume 67 / Issue 2 / Summer 2014
- Published online by Cambridge University Press:
- 20 November 2018, pp. 583-584
- Print publication:
- Summer 2014
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Jean-Michel Massing. Du texte à I'image: La Calomnie d'Apelle et son iconographie. Strasbourg: Presses Universitaires de Strasbourg, 1990, 79 figs. + 591 pp.
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- Journal:
- Renaissance Quarterly / Volume 47 / Issue 1 / Spring 1994
- Published online by Cambridge University Press:
- 20 November 2018, pp. 184-186
- Print publication:
- Spring 1994
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Mosche Barasch. Light and Color in the Italian Renaissance Theory of Art. New York: New York University Press, 1978. xix+232 pp. $22.50.
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- Journal:
- Renaissance Quarterly / Volume 32 / Issue 2 / Summer 1979
- Published online by Cambridge University Press:
- 20 November 2018, pp. 246-248
- Print publication:
- Summer 1979
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Aurispa, Petrarch, and Lucian: An Aspect of Renaissance Translation
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- Journal:
- Renaissance Quarterly / Volume 27 / Issue 2 / Summer 1974
- Published online by Cambridge University Press:
- 20 November 2018, pp. 157-173
- Print publication:
- Summer 1974
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